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By Any Media Necessary: Mapping Youth and Participatory Politics

"FA$T CA$H: Easy Credit & the Economic Crash" - (Music Video by Dorian Electra)

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1. "FA$T CA$H: Easy Credit & the Economic Crash" - (Music Video by Dorian Electra)

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Dorian Electra
"Especially in a time of economic recession, there's no more important time to actually understand economics than today. And it's not easy to understand a lot of competing theories about what happened with the economic crash, but it's really important to be educated. It's not always fun. So through using music and catchy music videos, which I just enjoy on their own, I wanted to share that with people."
-Dorian Electra, "Making Your Story" webinar
About
Dorian Electra is a young artist who is passionate about educating others about political and economic themes that are often complex (and maybe even a little boring!) in a fun and engaging way. She collaborates with fellow artists to create original songs and videos on topics like Supply and Demand and Austrian Economics.

One of her most popular videos is a love song to the economist, Friedrick Hayek.
Dorian's most recent effort, in collaboration with the Moving Picture Institute (MPI), is a lesson on central banking in the U.S. and monetary expansion policies. It's called FA$T CA$H.

Watch all of Dorian's videos on her YouTube Channel, and learn more about her projects at her website.

Read about young libertarians like Dorian Electra and their take on politics in the digital age in Liana Gamber-Thompson's By Any Media Necessary chapter, Bypassing the Ballot Box.

Contributed by Liana Gamber-Thompson on 5/10/14
Dorian Electra Media
I'm in Love with Friedrich Hayek
Roll with the Flow
Supply & Demand Rap: WE GOT IT 4 CHEAP
FA$T CA$H
Jonathan McIntosh

"The media is lazy. We need to remember as people who are interested in social change...what it was that I wrote under my video or online blog or whatever, that little blurb was reprinted over and over and over, and reposted over and over and over. Taking care to frame something in a careful and intentional way is extremely important because it's going to be the thing that is reprinted and reprinted and will reposted and reposted."
-Jonathan McIntosh on framing your message in the Considering Your Story's Digital Afterlife webinar

About
Jonathan McIntosh is an pop culture hacker, digital artist, and transformative storyteller. All of his work is freely available online. His videos have been discussed by everyone from NPR to Glenn Beck to Lawrence Lessig to the US Copyright Office as well as featured in major media publications. He also has a series of HTML5 projects that add educational depth and interactivity to video remixes, for example allowing site visitors to remix advertising aimed at boys and girls.

One of his most famous and widely discussed projects is the above "Buffy vs Edward: Twilight Remixed." McIntosh started this project on his own as an experiment to intervene in conversation about the popular Twilight book series after realizing that the relationship between main characters Bella and Edward contained many red flags for domestic abuse. By remixing footage from the Twilight films with footage from the Buffy the Vampire Slayer TV show, McIntosh shows Buffy responding in empowered, active ways to Edward's line-crossing behavior, leading up to a fight in which the slayer dusts the vampire.

Jonathan McIntosh Media
Buffy vs Edward: Twilight Remixed
Bypassing the Ballot Box Drawing on data from a case study of Students for Liberty (SFL), this chapter examines how some groups of young people seek to forge new social movements based in participatory politics while simultaneously taking advantage of existing relationships with established institutions. Students involved with SFL are often self-identified libertarians, though the organization as a whole maintains the broader mission of “advancing liberty,” and members consider themselves part of a larger movement they call the Student Liberty Movement. Founded in 2008, SFL started with just a small group of students who organized a roundtable at Columbia University to discuss best practices for campus organizing. Today, SFL is “a 501(c)(3) nonprofit organization whose mission is to provide a unified, student-driven forum of support for students and student organizations dedicated to liberty.” While SFL has grown tremendously in the past 5 years, it has remained true to its grassroots beginnings by resisting top-down leadership models; the group still relies primarily on its student leaders to implement programs and organize conferences, and the small group of SFL paid staff is composed almost entirely of former student volunteers. Members also engage in a wide range of online participatory practices and modes of creative production like those seen in Chapters 2 and 3, as evidenced by everything from playful music videos paying tribute to Austrian economists to memes critiquing the political status quo. Because young libertarians view their opinions as being largely ignored by mainstream media and political parties, they must often rely on alternative learning networks and grassroots forms of communication and circulation. We also explore how SFL benefits from institutional ties and scaffolds member participation in established libertarian political spheres as represented by the Cato Institute, the Institute for Humane Studies, and other think tanks and policy organizations. At the same time, we describe the potential contradictions surrounding this relationship: young libertarians rely on financial and institutional support from such institutions yet are also increasingly struggling to gain distance from them. SFL leaders are now talking about what they call “second wave libertarianism” (to borrow language explicitly from the Women’s Movement), which adopts a “big tent” approach to alliance and movement building; advocates of second wave libertarianism seek to build partnerships with liberal organizations just as often as with conservative groups in an effort to break down the traditional political alliance between libertarians and the Right. This strategy marks a departure from the first wave of libertarianism (the 1970s and 1980s) where leaders worked to build uniquely libertarian institutions and shore up political connections to conservatives. Today’s libertarians are as apt to participate in an Occupy Wall Street rally as they are to attend a Tea Party gathering.

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